The other day I was in my studio creating a new piece.
I was struck, once again with the awe and wonder of the process of making something that didn’t before exist.
Where did it come from and how did it get here?
People ask me all the time, “where do you get your inspiration?” or “how do you get these ideas?”
I’ve always been one to struggle with not enough time, instead of not enough ideas. I have a feeling that even if I had all the time in the world I could not create everything that came into my mind. I’m sure they wouldn’t all be good designs, but it sure would be fun! For now, I am just grateful that they are there, waiting for me to sit at my bench with a clear mind and tools in hand.
But I somehow don’t feel responsible for creating these ideas, as they seem to just show up.
Isn’t it interesting that we say ‘it came to me’
Musicians often talk about a song that comes complete in minutes vs. songs that you have to wrestle and pull into being like doubly impacted wisdom teeth.
It just occurred to me that maybe ideas are like cats, when they want to, they will curl up in your lap and you will easily and lovingly enjoy each others company. But if they don’t want to, you can see them out of the corner of your eye and get up to go pluck him into your arms and zoom – gone. You can chase that cat till the cows come home to no avail.
In the Buddhist practice the mind is considered to be a sixth sense; that it can sense ideas out there or in here.
In her great TED talk Elisabeth Gilbert talks about creative ideas, or genius, as a separate entity to us, an idea informed by Tom Waits and Greeks and Romans before the Renaissance. That it is something that is out there and might find you to land on, or it might be hanging around you waiting to come in, whether you’re ready or not.
Gilbert goes on to say that it is our job to be there working for it, when it does show up.
Pablo Picasso says “The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider’s web”.
He also says “Inspiration exists, but it has to find you working.”
I tend to agree in some way. Of course the ideas that come to me and that I create are me – they are translated through my soul and dna to be a unique expression of me… that and something that I was brave and quiet enough to translate for. Perhaps they are things that exist already and they want to exist in the realm of being seen and touched – engaged with and related to.
I think people say they are inspired by nature because that is a place where we can be quiet and open enough to the subtle nature of ideas and creativity. We get out of our own way, we sink out of our heads and deeper into the realm of the heart and are receptive…. to what might be there, hovering around us asking to be made by heart and hand with silver or paint and canvas.
I have come to believe lately that these ideas that come to me are my teachers. They are the symbols I need to navigate through this wild and mysterious life. They are messengers from the unknown, from the places that most of us haven’t yet learned how to navigate. I would even venture to say that some people call this being with God, or Spirit, or connected to the wild and wondrous nature that exists in us….. simply feeling alive
In that case it’s best to honour ones teachers… not let them go bound up and unspoken.
I try to listen to their wisdom
to translate it as best I can, and let it guide me.
Maybe by bringing it into being it may offer some guidance for someone else too.
Seeking light, accepting dark (in 2 parts)
Make me like a feather with it’s soft and supple strength,
pulling it’s host skyward,
sunward
using only the air beneath it.
And when I fall
may I drift down lightly falling
from one direction to the other,
gently cradled by my own contours.
I seek it like the hungry moth,
I reach for it, I yearn for it…
In easy, happy times,
But when I look only in that direction
I am easily tripped by that which I kept out of view.
The darkness, always, also the darkness.
This is when the moths come out.
When a cloak covers everything from the easy touch of sight,
and a light is at it’s brightest.
May my dark cloak be softly woven.
Protective, yet porous…
enough to let the light shine though.
In both directions.


































































